AS WITH ANY MEDIA, REPETITION MAY HAVE LESS RESPOSIBILITY THAN CONTENT, as in we don’t have to repeat ab absurdum.

BE CRITICALLY AWARE TURN MEDIA OFF READ into sources OR PERSIST EVENTUALLY IT’S 18A SO HAZARD

BEING INCLUSIVE IS DIVERSE AND EXPANSIVE CERTAINTY AND AMBIGUITY A TANDEM

Each word a library sometimes

Dialogue Harvestibule

          
Even though performance, as an archive (locally documented), Dialogue Harvestibule linked here houses my lack of episodic memory, 

presence and follow through of clown, 
classically rehearsed monologues (dialogues) 
and informed forum improvisational direct address

As always, 
being eclectic, 
the subject matter is varied and is best not being permanent, audience and conversation dependent; During Dialogue Harvestibule the artist might differ in view scope or understanding; be more or less of a person at every definition 2024   

Over the course of 2014 - as every minute of stage time needs at minimum an hour of rehearsal, this took a year of solid effort and went really well ; bit unfulfilled after 

 scabovered myself 

And 'I' did fail to be a theatre as an individual. 

It was too quick a departure if I had stayed or someone, late v shook me back before inside and hide swell to cope; hopeless, unworthy, apathy over ethical humility and situational military industrial complex/conflict guilt departed into a cared full abyss relationship, substance abuse cycle and lasting stigma like harm reduction , 'never use alone', decriminilazation, clinical oversights and trials  ; first time I'm getting that hey you feeling and I agree this is a bit about lacko tele n' mead STUNTS        

New(qua)Sea[sic]Rebellion

Current (in the capacity) ebb/flow from to from [non standard] Rebellion 
 
A parodic proclamation of the recurrences of emblems, motifs & my 'performance art' style paired with condensed critical awareness that recurs and contrasts in the continuation of my 'philosophy of theatre' 

A degree, a Pathos and a Decade to write one page!

How will this performance be received and accessible to both art/Art ?  

Yes, anyone can do it and it doesn't take years of effort or steady matter...  

As always the performer is not the arbiter of meaning or reception but my recurring choices - chairs, hangers, personal content- can be likened to Salvador Dali's melting clocks, [ee cummings] lowercase, or Charlie Chaplin's hat and sheep bladders!  

Ambiguous, Specific, Practical, Ethical, Praxis and Curerated

Perhaps the archive of New(qua)sea[sic]rebellion works more  to my cause without a rehearsed text... 

With homage to where I rehearsed - outside and then reimagined -subject to the 'on site' space/place/audience an ode to performed this piece more than twice and have the public at large disrupt it quite simply ; ) 

Thankfully filmed by someone on site, felt like 1935, yet was around 2016-2017

A couple years after the birth, adoption and semblance of my son to family

In recovery and a bit too excited when social, I was great before the performance, yet was so personally shamed, embarrassed anxious and vulnerable I made an ass of myself trying to party after; my apologies

I've never found out who else was situationally in the video let me know if you find yourself 

Neo - closer to the Matrix and Keanu Reeves to me - just means 'new.' 

The times weren't as volatile and it would have been great if I was a different diversity or gender  

Please take a moment to revaluate love, sharing and how serious I'd have to be with this performance to form a synthesis of the underappreciated dichotomy of Empirical / Analytic and elaborate on the 'philosophy of poetry performance and theatre'

"My bias favours sense knowledge and nothing existing in isolation, if nothing exists in isolation it must be considerate of others and perception; observation should never be considered objective and as always has an effect" 

Medium(s), Being, Quality and Others are like that    

Privilege has always been Responsibility to me

Compare and contrast 'sensing' the video (are you Bnd, Deaf, or of a Langue other than English) what changes or is lost in translation?

Nowadays I'd edit reimagine or change bater trade yet also contend with now after-acts:

1. My gestus at the spoke phrase, 'now established power'

2. The phrase 'read the maps; burn the routes'

3. Over all moved even more sustained

4. Bowed more & express my graditude; also with [ after plan-virgo-from:she] mend modal   

5.Omitted 'neo-liberal, oligarchic, corporate private agencies of course' because these terms are too expansive, unstable and po-lit-is-ized

6. I'm very critical of the tactics of nationalism, fascism, and radicalization. 

Personally my oratory from places 'ephemeral' love, knowledge and reasonable tactful oratory

Language had to contend with much being 
         
I. I'd work to not end any movement, category, or philosophy with the suffix 'ism' or 'ist'

II. It would be a lot more fun if New[qua]sea[sic] was with a theatre company- the best I could do individually - and juxtaposed like a diagonal cross 'she' made; total head of something in a momentary 

Improvisation on Acting

2023, 

still brain injured , 

a few more agrevated wounds, 

the whole "should be in Toronto / (live this way) theory" 

smoke reduction, 

chron doubt, 

many gym repeats, 

ate well when I did; hadn't been struck by some form of lightning yet

Like Richard Maxwell meets Bert O States in a large room to b*(!)t^h about Aphera

Moderation, go to bed, meno'pause sunsetting and lucid sobering  

An 'inpromtu' praxis seminar on Acting

Bush shrubs n' vine eventually costume

Lighting and the seeming eternal provided

Hammerin bones

Unfiltered 

and Composting   

Former videos arrow of time from repertoire to archive; latter text Archive to repertoire

Posted Below , For the people of the Theatre and also a brief enjoyment of a paragraph or two with sustained close readings: my attempt at writing a total theatre text starting with... 

2022's

"a play upon unknown; like accents during underwater exploration sets in an attainable future..."  
 

2087 : [2 (…)*&]

Dawn Of A.B.I or Convalescence

A.B.I (acquired brain injury)

Convalescence (recovery from ailment)  

Is a play I started in 2012 and revisited: 2018/2023. As is with dramatic text not entirely meant to be typed (irony) or written (irony) or even read (irony) as dramatic text as such is supposed to be performed, performed in some way shape or form and this is a metaforeword as the Play is posted below there are quoted extentions of Tristian Tzara's play The Gas Heart   Within,   

IZ DIS ABSURD

Contending within Irish (without meaning, automaton, playwrighting) , Italian (zany, situational) and French (meaningless fastidious anomalies to care so little in matter)  forms of the absurd 

2013-2022

A play to be, like an index and an organ doner awakening 

Slack Hearth Tide

                       
Written revisited: 2011-2013-2020

A one act play, juxtaposing Gertrude Stein, Post Colonial theory and Alexander Dumas' Camille. A lofty dreamer contending with ideology , seeming and being. 

How personal anecdote, grounds, seeming non sequiturs and a dreamscape allow hierarchies of needs to be addressed, ambiguous, and lyrical. 

Spoken word, formal(ism), and 'matrixed' movement based choral elements make Slack Hearth Tide a phenomenal starting piece for an abstract theatre collective    

Tide Roc Turf

Tide Roc Turf

2024's Rocabilly musical about an ethically charged double slot car race wave machine, trauma and self soothing together    

"sure to put the shrieks in the freaks of the seats"  

II ABJECTx